This is a study of ten texts by South African Black women writers, ranging from 1975 to 2012, looking at how these writers’ work are an act of resistance to racism and patriarchy. And Wrote My Story Anyway is scholarly but nevertheless accessible and does the necessary work of bringing these important writers to the fore.
And Wrote My Story Anyway by Barbara Boswell
Part literary history, part feminist historiography And Wrote My Story Anyway: Black South African Women’s Novels as Feminism critically examines influential novels in English by eminent black female writers.
Studying these writers’ key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women’s fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society.
This is an erudite analysis of ten well known writers, spanning both the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women’s fiction could and should be read as a subversive site of knowledge production in a setting which, for centuries, denied black women’s voices and intellects.
Reading their fiction as theory, for the first time these writers’ works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.